![]() If you are shooting SLOG to only throw a LUT on and call it done, you shouldn't be shooting in Log at all. SLOG will give you the most available dynamic range in your captured video, but without proper correction and grading you wont see it all. You could do the same in Premiere in Lumetri and then apply it to everything as a Master Clip Effect.Īlso, I just watched a video on real estate videography - the guy said that shooting in SLOG2 is a must for shooting interiors of homes with bright windows due to the huge dynamic range of the windows vs interior. But for that, I just go to DaVinci and make my own for every shoot (usually one for ever location). But remember that a LUT is a starting point at best unless this is a temp color.īut honestly, I wouldnt use it unless its just temp color for editing and you dont want to look at grey all day. There is an abundance of "SLOG2 to _" LUTs online its almost a joke. You need to use the scopes, and some saturation. recorded Sony FS RAW files, and allow switching between Sony S-log2. Trying to learn how to correct in premiere pro Developers can download and use the free Blackmagic RAW SDK to add support into.
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